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・ The Vels
・ The Velvelettes
・ The Velvet Hour
・ The Velvet Illusions
・ The Velvet Paw
・ The Velvet Rope
・ The Velvet Rope Tour
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・ The Velvet Teen
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・ The Velvet Underground
・ The Velvet Underground & Nico
The Velvet Underground (album)
・ The Velvet Underground (book)
・ The Velvet Underground discography
・ The Velvet Vampire
・ The Velveteen Age
・ The Velveteen Rabbit
・ The Velveteen Rabbit (album)
・ The Velvetones
・ The Velvets
・ The Vendome and the St. Ives
・ The Vendor of Sweets
・ The Venerable Bede Church of England Academy
・ The Venerable Ones
・ The Venetia Fair
・ The Venetian


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The Velvet Underground (album) : ウィキペディア英語版
The Velvet Underground (album)

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''The Velvet Underground'' is the third album by American rock group the Velvet Underground. It was their first record to feature Doug Yule, John Cale's replacement. It was recorded in 1968 at TTG Studios in Hollywood, California. The album's sound—consisting largely of ballads and straightforward rock songs—marked a notable shift in style from the group's previous recordings. In 2003, the album was ranked number 314 on ''Rolling Stones "The 500 Greatest Albums of All Time" list.
==Background==
Lou Reed, the group's main songwriter, said of the album: "I really didn’t think we should make another ''White Light/White Heat''. I thought it would be a terrible mistake, and I really believed that. I thought we had to demonstrate the other side of us. Otherwise, we would become this one-dimensional thing, and that had to be avoided at all costs."〔 Maureen Tucker said, "I was pleased with the direction we were going and with the new calmness in the group, and thinking about a good future, hoping people would smarten up and some record company would take us on and do us justice." Doug Yule said the album "was a lot of fun. The sessions were constructive and happy and creative, everybody was working together."
''The Velvet Underground'' was the band's first album for MGM Records, its first two albums having been issued on Verve, an MGM subsidiary. The previously strong Andy Warhol influence is diminished, with the most notable ties to the Factory being the cover and back photographs taken by Warholite Billy Name, and the opening track "Candy Says" about Warhol superstar Candy Darling (who reappears in Reed's 1972 song "Walk on the Wild Side"). The song was sung by Yule at Reed's insistence.
"The Murder Mystery" featured all four band members' voices. During the verses, Lou Reed and Sterling Morrison each recited different verses of poetry simultaneously, with each track panned strictly to the left and right. For the choruses, Maureen Tucker and Doug Yule sang different lyrics and melodies at the same time, also separated left and right. The album's closing song, "After Hours", features a rare solo lead vocal by Maureen Tucker, again requested by Reed as he felt the sweet, innocent quality of her voice fit the song's mood better than his own.
The record was produced by the band themselves, and issued in two different stereo mixes. The more widely distributed mix is the one done by MGM/Verve staff recording engineer Val Valentin. The other mix was done by Lou Reed, boosting his vocals and guitar solos, and thus reducing the rest of the music from the album's soundscape. Therefore, it was dubbed the "Closet Mix" by guitarist Sterling Morrison, because it sounded to him like it had been recorded in a closet. The most dramatic difference between mixes is that "Some Kinda Love" is an entirely different performance from the same recording sessions. The LP sleeve was designed by Dick Smith, then a staff artist at MGM/Verve, with Billy Name's photo of the band sitting sedately on a couch at Andy Warhol's Factory.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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